On the way home

I've been on a music memoir/biography kick lately. The most recent book I read was Crosby, Stills, Nash & Young, a 2019 biography by Peter Doggett. It focuses on the years between 1969, when David Crosby, Stephen Stills, and Graham Nash formed the band and released their first album, and 1974, the year of the last tour that wasn't actually more like a reunion.

In 1969, I was at the beginning of high school. In 1974, I was in the middle of university. The book covers so many events that are touchstones in my early life. Most of those are events in music and in the wider world, but many relate directly to those four guys and their music.

The book yanked me back to when I was 10, hearing and seeing the Beatles for the first time, to when I was 12, absorbing AM radio, to when I was 14, seeing my heroes murdered and the world lose its mind, to when I was 16, seeing university kids gunned down, to when I was 18 and the goddamn war had only gotten wider, to when I was 20 and spending a great deal of time ostensibly for school on making music instead.

I remember when Crosby, Stills & Nash came out. At the time, I was really into harmony groups, like the Seekers, the Mamas and the Papas, and Simon and Garfunkel. The CS&N harmony sound was astounding. I didn't own the album, but the singles got a lot of airplay. It was similar when Crosby, Stills, Nash & Young released Déjà Vu, a good half of which was a CS&N follow-up.

I knew who these guys were too, having been a fan of the Byrds, the Hollies, and Buffalo Springfield. "For What It's Worth" and "Mr. Soul" were two of my favourite songs. And this idea of being a kind of collective was intriguing.

A curious thing happened in the midst of this harmony fest. I remember going to buy the first CSN album and being mysteriously drawn instead to Everybody Knows This Is Nowhere, which is pretty much Neil Young's antithesis to CSN. That album, which Neil did with Crazy Horse (a stripped-down Rockets), was one of the most wonderful mind-bending records I had ever heard. I didn't have an electric guitar yet, but later on both my playing and my aesthetic drew heavily on EKTIN.

And then, my young mind got well and fully blown again in 1971 when my sister brought home a college radio promo copy (possibly purloined) of Four-Way Street, which she didn't like and passed on to me. I devoured all four sides of that double album on the parental stereo until it had pops and scratches pretty much everywhere.

I was learning to play guitar, and this album was perfect for me. These guys had a sound I could aspire to. The acoustic side was very influential, since I had only an acoustic guitar. I learned to play "On the Way Home," "Teach Your Children," and "The Lee Shore." I thought it was cool that they would play a concert with half acoustic music and half electric. I didn't know about David Crosby's tunings yet, but from hearing the sound I learned how to play open ninth chords that sounded ringy but slightly unsettling. I still do that a lot.

The electric sides were glorious in their spirited sloppiness. I have always found this live version of "Long Time Gone" to be superior to the rather turgid studio version on CS&N, despite its marginal high harmonies (the version on Spotify does not say "remaster," but I'm pretty sure Nash's missed high harmonies, thanks to the poor stage monitors of the time, are mixed lower). "Ohio" was a mess but still astounding and hugely influential on my playing and my youthful politics. And that 14-minute "Carry On" with the interplay of the three guitars is just magnificent.

And after that album, there was no group thing that I really cared about. I followed their individual careers for a while. Neil is the only one I've stuck with, maybe because he and Crazy Horse got to my brain first, maybe because he's the only one who continued to produce great music (most of the time). By the time I bought my first electric guitar in 1973, I had moved on to other things. But CSN and CSNY when they were together making great music were cemented into my life.

The book was not just a nostalgia trip. I learned a lot of details about a story I knew only the general outline of. Did you know that Cass Elliot was responsible for bringing Stephen, David, and Graham together, and that originally she wanted to sing with them? I also hadn't known how CSN were persuaded to add Neil to the mix after being a huge hit on their own. And it's easy to tell that the guitar in "Suite: Judy Blue Eyes" is in some kind of open tuning, but I had never known that the tuning was EEEEBE, and that it was Springfield bassist Bruce Palmer who showed it to Stills.

Reading the book was an incredibly enjoyable ride, even the bad parts, of which there are many. I had always known about how much weed tended to be smoked, but I had not known that they were all into cocaine so early, and that the albums were as cocaine-fuelled as they were. I think of coke more as a 1970s and 80s drug. I guess they could afford to be early adopters. It had a lot to do with why they broke up and/or never really came together.

Doggett is a critical fan. He doesn't gloss over the low points, but he also cites the many high points. I recommend this book to anyone who is interested in the people or the time they lived in. And if you lived through that time yourself, it's a must.

Best buddy

His shelter name was Hornby, which we kept. Like all pets, more names became attached to him, including The Dude, Bodhi, and Willis (as in "whatchoo talkin' 'bout, Willis?" from Different Strokes). We also used things that weren't really names, like "funny boy," "puddin'," and especially "buddy" or "buddy boy."

He was what cat behaviourist Jackson Galaxy calls a "beach dweller." He didn't especially like being up high. He never had a thing for empty boxes. Instead, he would lie in the middle of a floor, taking up space, completely at ease.

He was a lover, not a fighter. When VOKRA brought him in from a cat colony at a fish plant, he had a nasty gash across the bridge of his nose, as well as evidence of earlier fights, like his chewed up right ear. But with us, from the start, he was a big cuddle bug. He looked like a bruiser, but he wasn't belligerent. We figured his wounds were probably defensive.

He loved our scents and our warmth. He sniffed our shoes and boots after we took them off. He would sleep anywhere we had been sitting, whether futon or sofa or office chair. He would sleep or lie down on laps, but he was very particular about where and when. Sometimes he just wanted to be nearby, as when he would sit on the ottoman while we watched TV.

He adored his Nanny K, our long-time cat sitter. We didn't go away often, but when we did, it was almost a treat for him. Nanny would come by once or twice a day. She is the epitome of a cat person, and he just lapped it up. They got along famously. And the rest of the time, he seems to have entertained himself, probably largely by sleeping, as cats do.

He would always greet us when we came home, whether we had been away for an evening or were returning from a vacation. As much as he loved Nanny, he was always happy when his peeps were back. If he was awake, we might see him in the front window, mah-ing at us. If he had been asleep, he very quickly ran down the stairs to say hi.

He loved meeting whoever came to the door. He especially loved trades and service people. He sucked up to every one of them who let him. He was quite a charmer.

Clanky noises, metal on metal, were among the few noises that scared him. He must have gone through something bad that involved falling metal, and he never got desensitized to the sound. He didn't like loud sounds in general, and he was sadly not a music lover.

Curiously, one sound he loved was the paper shredder. He would react to the inkjet printer as well. Something about those sounds made him come running. Sweetie thought he must have lived in a house with an electric can opener.

Bird watching

He might have used up a several of his nine lives along the way. He was a stray, so he either got away or was dumped. He survived a cat colony, though not unscathed. He went through a course of radiation treatment for a thyroid issue. Right in the middle of serious Covid restrictions in summer 2020, he had a urinary blockage that quickly went south and put him in Boundary Bay Veterinary Specialty Hospital in Langley.

Probably the most insidious condition he lived with was inflammation. It wasn't from arthritis, because he was always lithe and active. We put him on a limited diet that avoided things (such as grains) that tests showed he was allergic to, but something bothered him that we never identified. Every few months, he would get "bitey," and when he did, we knew he was feeling irritated, and possibly in pain. He would get a steroid shot at the vet that would improve things for several months but could never cure it.

He died on September 23rd during an afternoon nap on "his" (our) bed, one of his favourite places. It was most likely a heart attack, even though the only heart condition that had been identified was a murmur. At any rate, he seems to have gone peacefully.

Sweetie and I are reminded of him pretty much every day, even almost two and a half months later. We never thought of him as our "child," but he was definitely a roommate and part of the life of the house. We still feel his absence.

Stone knives and bearskins remix

With social media fragmenting and in some cases imploding, I figure I might as well do an old-fashioned thing and blog. I haven't written here since May because I haven't felt moved to do so. Now, I feel more like writing. Not many people read what I write here, but that's not really the point. The point is that I went through the process of writing it. It's for me. Sometimes my private journal is not enough.

I'm writing a nerdly blog post about a nerdly thing: sound mixing. Having collaborated over the years with professional sound engineers to create the music people (theoretically) listen to, having gone through the process of recording at home, having improved my knowledge of the free but capable Audacity software, having mixed and mastered a solo album and remastered songs from an old band and then remixed and remastered the solo album, I have realized that this is something I'd like to do a lot of. A new hobby, if you will, that I can focus on the way I have focused on cooking and genealogy. More than just making music — making music better.

I find the process of turning sounds into better sounds immensely satisfying. It's intense brain exercise. I learn something almost every time I sit down to work through a mixing or mastering session, something that feels good to know. Every mixing and mastering run has let me do a better job the next time. It informs my listening, which in turn informs my work. Maybe it even makes my brain work better.

I started remixing a song from Mostly Still Underfoot just to have fun. With me and something I love, however, fun tends to turn into serious fun at some point. I started to compare results of my mix to the studio mix of the same song.

The studio mix is very clean. There's no noise, no extraneous sound. It has a shininess that seems to be a bit of magic that I probably don't have. But it's interesting how close I can come (now that I know a thing or two) to what a professional engineer at a professional board in a professional studio produced.

One thing I don't like about the studio mix is that it sounds somewhat disembodied. The mix is very skilful, but the sounds feel isolated from one another. It's that digital complete lack of noise. It's probably just my own preference to like recordings in which you can hear the room in which the music was played. Even if it was mostly done with overdubs, I like to have some room sound, around the drums anyway.

In the setup the original engineer used, there are four mics that pick up snare sound: close, hi-hat, and two overheads. Most of the snare sound in the studio mix comes from the close mic. The thing is, the recording was tightly gated so that the raw snare sound is very short and very crisp with no natural drum sound. It's a sound with which to drive effects. Adding reverb is the only thing that livens it up.

The hi-hat track is useless. The mic picked up some snare but mostly hi-hat. You rarely need much hi-hat. There's so much of it in the other microphones that I don't really need that track at all.

I am, however, blending in more of the two overhead mics. Those are intended to pick up cymbals, but I like the way they pick up the whole kit and the room as well. Except for some songs that need reinforcement on the toms, I'm using mostly a modified Glynn Johns setup — kick, snare, two overheads.

Bass guitar is often recorded two ways: with a microphone on a bass cabinet in the big room with the drums, and direct from bass to board via a magic box of some kind. We just called it a DI — direct interface. Much as I like live bass through a cabinet, even a heavily gated microphone picks up a lot of drums and other ambient sounds. That track is not useful. The DI track works very well on its own.

I couldn't remember exactly what was done with the guitars in the studio remix. At the time I didn't record, say, two strummed guitars as I probably would now. And each guitar is completely dry — the modified Fender Bassman head had no reverb. Adding reverb wasn't really doing the trick of making the guitar bigger and take up more space.

But I realized that if I duplicated a guitar track and ran it through reverb, retaining only the "wet" part, I could get a blend of dry and wet with the dry in one direction and the wet in the other, and achieve a spaciousness that wasn't there before. I'm surprised I hadn't sussed out this trick already.

I haven't yet figured out how to make the vocals sound quite as good, but they still sound good. The studio had a good vocal mic, and Cilla sang very well. And the overall gloss, well, that's some kind of special sauce I might never figure out.

Cruel to be kind

Red ginger flower at Diamond Falls Botanical Garden

Our stay in Saint Lucia was sometimes challenging. We called it our "adventure holiday" (see Monty Python "Travel Agent" sketch). As our stay progressed, I started wondering if it might not be too adventurous for us anymore.

On Monday, our first full day in Saint Lucia, we thought we'd check out the nearest beach, Anse Chastenet. The protected snorkeling area next to the beach was a big reason Sweetie had chosen our particular villa. Google Maps said the walk to the parking lot was 850 metres, and the beach was a short walk beyond that through the resort grounds (all beaches on Saint Lucia are public, though typically are surrounded by resorts and their facilities).

We knew the road was broken up. We had bounced up from Soufrière. But we didn't realize how difficult that surface would be to walk on. As well, the 100-metre elevation change felt steep. We had read over and over that the road was walkable, but hikable would be more accurate.

We made it down a couple hundred metres to a "police" (resort rent-a-cop) checkpoint, were told we needed masks to enter the resort grounds (entirely outdoors, but their rules), crawled back up, hiked all the way down, signed in, went swimming, and then set off back up the deteriorated road, slowly, painstakingly, and with many rest and water stops. We barely made it, and not just the person with balance issues who is recovering from a stroke but her ostensibly reasonably fit spouse as well.

(We somehow didn't take into account that we had jumped three time zones and had had only one night's good sleep over two nights.)

Back at the villa, I drank a bunch of water and passed out for a good hour. Upon awakening, I was a wee bit concerned. We had been counting on reasonably easy access to the beach and snorkeling area. Now we realized that we would not be jaunting merrily down and up that hill on foot. We would have to pay our drivers, in cash, for more lifts than we had anticipated. So we would need to obtain more cash than anticipated, which might require more lifts because of daily cash limits.

The next day, we booked a planned lift, got a bunch of US dollars, toured around Soufrière, had a tasty lunch, and bought a bunch of groceries. It all went smoothly, and I felt soothed.

Wednesday, however, started with me being awakened at 6 am by the gardener sweeping the pavement outside our bedroom windows, just feet from my head. Singing frogs and cooing doves I can sleep through, but broom straws on concrete near my head, not so much. Then there was a surfeit of bad news in the world, the worst of which was the killing of Al Jazeera reporter Shireen Abu Akleh. That crushed me.

I had a cry, then got it together. We booked a lift to the beach and went snorkeling, booked another lift so we could walk through a botanical garden and have another excellent lunch, and back at the villa spent time in our plunge pool. We booked a boat trip (and a lift) on Thursday which provided us with excellent snorkeling.

Friday morning began with me yet again being swept awake at 6 am. I needed more sleep, but I wasn't going to get it. Then lingering concerns about being able to obtain enough cash and feelings of being trapped without a driver came crashing back.

The road to Soufrière is tough on bollards too
(sheer drop to the left)

Instead of staying anxious and full of bad thoughts, I determined that I was going to conquer the road into Soufrière on foot. Sweetie had no desire to try it, but I figured I could do it on my own (I'm very sure-footed).

I hiked down, did my business like a normal person, took photos like a tourist, and hiked back up, slowly and with lots of rest and many sips of water. I reached the villa in pretty good shape! After almost failing to make it back up the beach end of the road on Monday, I felt redeemed. And I felt empowered knowing that I could get around better than I thought on my own two feet.

Later that day, when we were negotiating a difficult path in the rain forest, our bird guide Smith found a walking stick for Sweetie that she realized helped her a lot with balance. As we were walking back to his vehicle, Sweetie found an even better stick by the side of the road.

If we had had time, with me feeling stronger and more capable, and Sweetie feeling stronger and armed with a walking stick, I think we would have made it to the beach and back without much problem.

Physical and psychological challenges were probably not the only things that triggered crying spells. Because of international and local laws, I did without a couple of my usual meds. Even though in general I was feeling good and mostly sleeping well, there were still some neurotransmitter adjustments that likely played a part in defences breaking down.

Fortuntely, I still had one med, coffee, locally grown, quite good. I was well caffeinated, which both perks me up and calms me down. On a few evenings, I sipped a Piton beer. The warm climate and beautiful surroundings also helped ease the brain adjustment. Most of the time, I felt pretty relaxed, and relaxed progressively more as the week went on.

I think challenges and med deprivation were like cracks that released some of what I seem to have been carrying for the better part of two years. I don't know exactly what that stuff was, but it must have been substantial, because the relief is obvious. Generalized accumulated pandemic stress, maybe. Excision by the island spirits wasn't always gentle, but it was effective.

On the way home, I finished Sarah Polley's Run Towards the Danger (my kind of beach reading). Her voice is so refreshing, her insights keen, her honesty sometimes painful but never brutal. I took a lesson from the book: when I think I'm being kind to myself by taking it easy, I might in fact be doing the opposite. Sometimes I might need to push through, lest an acute condition become chronic. Self care for me might not be what I thought it was.

When good changes have happened, you want to keep at least some of them and not just slide back into the same stress build-up. When you've learned something, you want to make sure you remember it and take it to heart. So I'm a little obsessed right now (thus constantly writing and rewriting), but so far not too stressed. Holding on to the irie.

Irie

Diamond Falls. Grey water from minerals.

A funny thing happened following our week in Saint Lucia, though not right away. Having come in on a late Sunday flight and having hit the hay at about 4 am, on Monday we were both exhausted and stressed over our delayed luggage. I managed to go to the optician to get my glasses fixed (I had napped on them and bent them), but I couldn't make supper. Japanese takeaway to the rescue. I showered. We crashed early.

Tuesday was a whole 'nother story. I was still tired, but somehow I had energy. I did a load of laundry. I made a turn around my garden and took photos. I took my cart down the hill to the Refill Shop and to Donald's (oops, City Avenue) and hauled a rather heavy load back up. We already had some leftover curried lentil soup to heat up for supper, but I made a batch of whole wheat naan to go with it (and slipped in a nap while the dough was proofing).

After supper, still feeling tired but weirdly energized, I did some guitar improv, recorded a song idea, and practised about half my set, playing and singing. And it wasn't just that I managed to play. I also felt uncharacteristically confident in the sounds I was making.

I didn't go flat-out again on Wednesday, but I still felt energized. I did a bunch of garden work, wrote most of the previous blog post, and transferred photos. I had a nap, and then I made supper (kofta kebab on naan). While I was preparing the food, I realized I was doing it at a slower pace. I tend to move pretty quickly in the kitchen, sometimes too quickly. This time I was relaxed and focused. I still managed to leave out a spice ingredient (I have a bad habit of skipping around ingredient lists), but I was almost there.

I felt a little mellower on Thursday, but still noticeably more positive than usual, and still with the energy. My brain seems to be functioning unusually well. Sussing out Wordles in three or four, giving Sweetie quality help with the Spelling Bee, and finishing the New York Times Sunday crossword puzzle, a particularly tough one.

We often say that we feel rejuvenated after a vacation. We expect a vacation to make us feel that way. But this particular rejuvenation feels more powerful than usual. I seem to have got renewed in body and spirit more than I expected.

I have been feeling for a while that the pandemic had brought extra aging and a fundamental weariness. I feel that this holiday has taken at least some of that away. During the worst of the pandemic, my CPU clock got set higher, even though I was doing almost nothing but errands and chores. My clock speed is definitely slower now. CPU functioning is much improved.

Soufrière from Anse Chastenet Road

Some of that happened because we had a relaxing time and good experiences, such as the snorkeling trip and the botanical garden visit. But some was because of other experiences.

A place you've never been before comes with a new set of challenges, and we faced some. New situations to understand, new problems to solve, new things to accomplish—those are good for my brain and body. My solo trek into Soufrière and back showed me that we were not isolated on our hill, able to get about only by motor vehicle. It was a great physical challenge to overcome as well and has left me with lingering positive feelings. Dealing with the need for cash and not freaking out (for too long) was also good.

Something close to magic happened during that week. The island cast its spell. Partial immersion in a different culture, especially eating a lot of local food and interacting with local people on a daily basis. A town that charmed me. The manic energy of Smith of Exciting Tours Saint Lucia (and the music he exposed us to). The lush Diamond Botanical Garden. All the sea life of Anse Piton Marine Reserve. The birds at our villa that wanted us to give them fruit. The Antillian crested hummingbird that was content to feast on all the tubular flowers on the grounds. The rich plant life around us badly in need of a soaking rain.

The Saint Lucian people I met had an air of calm assurance about them. They know who they are. They are very much a part of their land and their culture. I, as a modern person, have only tenuous connections to my own ancestral culture and am mostly surrounded by a post-cultural world created by barely regulated market capitalism. I need to get me some of that calm assurance. I need to find that rootedness.

I don't know how long the good stuff will last. I know it can't be bottled. I just hope the lessons stay with me even as the feeling fades. And that my clock speed stays where it is.

You show them you're vaccinated and they put this on your wrist

Splash in the sea water

Freedom Monument, Soufrière

Sweetie and I travelled by airplane for the first time since we went to France in October 2019, way back in the Before Time. We took our chances, wore masks, and endured flights to Toronto and Saint Lucia and back. I sweated getting the ArriveCAN app right for the way home, and hoped that we wouldn't be selected for random testing (we weren't). Our two checked suitcases decided to spend some extra time in Toronto, but that's a whole 'nother story. We have them back, so all is well.

Every holiday changes you in some way. Every time you spend time somewhere that's not your home, it changes you. You're living with a different set of challenges than when you're at home, and often encounter one or more novel situations. And you're surrounded by a culture that's different than your own, sometimes a little, sometimes a lot.

On Saint Lucia, we stayed in a villa, not at a resort, outside the town of Soufrière in the less touristy southwest. We are not resort people, all-inclusive least of all. But we weren't entirely on our own in our short-term rental. The property manager also acted as kind of a concierge, assisted by her daughter. One and usually both of them came by every morning but one, to make sure things were ok with us, to arrange something if we wanted something arranged, and to answer any questions we had. It was never an intrusion. It was more like a morning chat with friends (over coffee in my case). On their day off, we felt like something was missing!

Gros Piton and Petit Piton

Regular roads in Saint Lucia are fine, if often narrow, but the steep mountain roads, like the one that leads to the villa, are a crumbled, washed-out mix of concrete, rocks, and gravel. Apparently, everyone is fine with this. The most broken sections function like speed bumps. Vehicles crawl along at about 10 km/h. The roads are also basically one lane with occasional wider spots, and you need to beep your horn at every sharp curve. Add in that Saint Lucians drive on the left, and we decided to use the services of the villa drivers, a husband and wife team. Not only did they save me from having to negotiate the roads on my own; they were also two more interesting people whose company we briefly got to enjoy.

Because we were not at a resort, we had to provide for ourselves. At our request, our host started us off with some basic groceries and had made us a delicious home-cooked creole fish dinner that lasted us for two dinners. After that, we would pay for a lift into Soufrière and do our own grocery shopping.

On a typical day, we would have breakfast at home, lunch at a restaurant while we were out and about, and then I would make supper at home to eat on the deck while the sun set. Breakfast always included one or more tropical fruits, gifts of our hosts. Lunch became our main meal, so that I would make something fairly small for supper. For all but one lunch, we went to places where at least some local people go.

A lunch meal would consist of fish, chicken, or pork, plus "ground provisions," meaning all the accompaniments, which might include any of rice, "peas" (lentils or black-eyed peas), mixed vegetables such as carrot and broccoli, sweet potato, dasheen (taro), fried ripe plantain, green fig (banana), squash, and mac and cheese. I called it Saint Lucian plate lunch because of the similarity to plate lunch in Hawaii. We ate some really good examples of it.

We did our share of vacation stuff. We saw an amazing abundance of sea life including healthy coral on a snorkeling boat trip to the Anse Piton Marine Reserve near Sugar Beach. We walked through a beautiful and informative botanical garden that includes a majestic waterfall. We hired a guide/driver (Smith from Exciting Tours Saint Lucia—he'd want me to mention that) to take us on a bird watching hike in a rain forest at 1900 feet of elevation. We walked all over Soufrière on our own. We swam in beautiful water. We plunged in our plunge pool. We sat on our deck, surrounded by trees, and just enjoyed our surroundings.

Soufrière

We did everyday stuff too, like grocery shopping and food preparation. I like that this was part of the mix. An important task was getting cash. In and around Soufrière, there are businesses that take credit cards. We found, however, that we needed more cash than we had anticipated. Saint Lucians accept US dollars as well as their own currency, the Eastern Caribbean dollar, and we used both (ATMs give EC$). We reimbursed our host for groceries and dinner in cash. We paid our drivers in cash. The snorkel tour took our Visa, but not the bird watching excursion. We paid for groceries and one restaurant meal with Visa. The rest we paid with cash.

On the morning of our first full day, we waited in a bank lineup. Banks don't keep long hours, and people seem to need tellers often, so lineups at the Bank of Saint Lucia in Soufrière happen during much of the day. We wanted US$, which we could obtain only inside the bank. Waiting in that lineup with lots of regular folks, chatting with each other, talking to people going by, was as enjoyable as anything else on the trip. While Sweetie was inside, I stood aside and got an even bigger dose of local culture and street life. I felt privileged to be ignored and to see everyday Saint Lucia around me.

There were some stressful times. I think it was Friday that I had a bad morning. I get those sometimes. Anxieties about this or that. We needed yet more cash and to do a final grocery run, so instead of booking a lift, I decided to walk to town. The road features a 100 metre elevation change over less than 2 km, so I needed to be careful of my footing in some spots on the way down, but I made it fine. I loved walking around Soufrière doing my business like everyone else there. I also walked around a bit more to take some pictures like a tourist. The town won my heart!

The climb back up was difficult. I'm 68 years old, in decent shape but no athlete. I took my time, sipped water, and stopped when I had to. I got lots of friendly waves. I made it, and I felt great about having done it. The rest of the day went much better than it started.

Grey trembler eating mango

Saint Lucia was originally a land of Arawak and later Carib people. Several European countries tried to colonize it. The Carib repelled them. It was interesting to learn that the French settled there by treaty with and payment to the Carib. Unfortunately, they settled there to farm sugar cane and used enslaved West Africans to work the fields. The English ruled the island from 1814 until 1967, and it was 1979 before Saint Lucia achieved full independence as a parliamentary constitutional monarchy, with membership in the Commonwealth of Nations (much like Canada). Their culture is a mix, and their language a creole, but the people are predominantely the descendents of enslaved West Africans. Saint Lucia is their country.

Toward the end of our stay, I learned that the term for the side orders I mentioned earlier, ground provisions, comes from "provision ground." Provision ground was a plot of land that slaveowners reluctantly gave to their slaves so the enslaved people could grow their own food, thus alleviating the slaveowner's responsibility to feed them. That pierced me through the heart. The idea of eating ground provisions took on a new layer of meaning.

I'm under no illusion that we weren't in most ways like all the other white tourists who holiday on Saint Lucia. But I never felt that the people we paid to help us were working for us, like at a resort, and I don't think we treated them as such. We depended on them and on the expertise they shared with us. I had nothing but respect for our hosts and drivers, as well as for the kindly gardener who showed us the plants he was tending around the house. I was always a tourist, an outsider, but I felt that they allowed us to immerse ourselves in their culture at least a little.

I feel privileged to have visited the beautiful country of Saint Lucia. I am a descendent of predominantly French colonists far to the north of Saint Lucia, some of whom might have owned enslaved people. Certainly I am a member of the culture that benefited greatly from the labour of enslaved people. I have now visited a country created by the descendents of people who had been brought there against their will. They made their enforced home into their beloved home and then graciously shared it with us.

During our rain forest drive, Smith introduced us to Saint Lucian singer Jany, who died too young in a car crash. I think every Saint Lucian knows this song: